![]() ![]() BREWER & SHIPLEY - “One Toke Over the Line” (1971) “Have you ever met that funny, funny reefer man?” was the question posed in this period piece, recorded by Cab Calloway and many others.ħ. “I love you Mary Jane.” The funkiest ode to pot. “You give me a new belief,” Ozzy Osbourne espoused in this pre-metal glorification of ganja. Updated by the Black Crowes on HEMPILATION and Cypress Hill on Temples of Boom. The song’s chorus, “Everybody must get stoned,” makes you forget about those rainy day women, whatever numbers they’re high on. Marley’s most famous ganja tune was written in the late ’60s with the help of Lee “Scratch” Perry, but wasn’t released as an album until the late ’70s.ģ. He criticized the Jamaican government and paid for it with his life in 1987. Here is what I found on the web, please leave your comments below: For the record, my favorite weed song is ‘Wildwood Weed’ by Jim Stafford. ![]() But for the sake of debate and discussion, I figured I would compile some lists below and let the argument begin. 25? 50?įor that matter, is it possible to rank music? Music moves different people in different ways at different times, so a legitimate argument could be made that a list of any amount would be impossible. Should I do a top ten list? I knew that wouldn’t work because there are more than 10 truly great marijuana songs. I actually came up with the idea for this blog post when we started TWB back in January 2010, but I was always hesitant because I didn’t know what would be the best way to approach it. However, this peace and love vibe would later go on to have a rather more capitalistic second life in Australia where the Coca-Cola Company launched the “highly caffeinated” citrus drink Mello Yello, a now-defunct beverage that many remember as being so refreshing it was physically excruciating.I think it’s officially time to start one of the internet’s biggest arguments. It forecasted the Summer of Love as though Donovan was in cahoots with a tie-dye oracle. Now, thanks to all of the era’s idiosyncrasies that it managed to cram into its grooving melody, it is as emblematic of the mid-sixties as any other track you could think of. What’s more, the meditative angle also handily presents Donovan with another chance to shoehorn another big name drop into the mix, a favourite pastime of the stars. And it was meditation that became more serious for The Beatles and me and presenting that in our music.” Meditation was a touchstone of the era as the Maharishi began to rise, particularly, in the West Coast of America where oddly state LSD experiments were equally rampant. The Scottish folk star told Songfacts: “To be ‘mellow’ is to be cool, to be laid back, but it doesn’t have to be with a smoke. It was a laidback vibe, however, that Donovan has been quick to assert wasn’t exclusively to do with drugs. This in of itself is also weirdly indicative of the laidback bohemian scene of the time. He was present in the studio during the sessions and both Donovan and ‘Macca’ himself are certain that he contributed something, but it is hard to decipher what that was exactly. His presence, however, is almost like some mystical lingering ghost of the 1960s as it is not immediately apparent how exactly he features. Part of that iconography involved none other than Paul McCartney himself. So, it’s about being cool, laid-back, and also the electrical bananas that were appearing on the scene – which were ladies vibrators.” As he adds: “They call me Mellow Yellow, I’m the guy who can calm you down.’ Lennon and I used to look in the back of newspapers and pull out funny things and they’d end up in songs. Being mellow, laid-back, chilled out.” So far so obvious, but there is a lot more frivolity in the welter of the track. When Donovan was asked what the song was about by NME back in 2011, the folk star reflected and mused: “Quite a few things. No song depicts the changing swinging style in the realm of dogeared acoustics and gingham quite like Donovan’s ‘Mellow Yellow’. ![]() There was a three-year period after that where the drug was legal and, although it seems very un-sixties-like to mention admin, it was this logistical oversight that defined an era as the kaleidoscopic headwind of acid blurred the zeitgeist in a tie-die hue of peace, love and utter psychedelic mayhem. By 1966, even the ancient genre of folk was beginning to feel the heady effects. ![]()
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